Ghulam Rasool Santosh (1929 – March 10, 1997), Born as ghulam rasool dar in a muslim family, also known as G. R. Santosh, was a distinguished Kashmiri painter and poet, recognized for his contributions to Kashmir Shaivism. A trailblazer, he defied societal norms by marrying his childhood sweetheart, Santosh, assuming her name. Born in the picturesque village of Dab near Srinagar, Santosh's profound connection with nature, inherited from his early years, significantly shaped his artistic sensibilities.
Growing up surrounded by Kashmir's enchanting landscapes, Santosh's love for nature blossomed, influencing his art. His grandfather's expertise in traditional papier-mâché painting further fueled Santosh's early artistic inclinations. In 1950, his unique landscapes caught the attention of S.H. Raza during a visit to Srinagar, propelling Santosh into the art scene.
Joining the Progressive Arts Association in Kashmir in 1950, Santosh exhibited his work across India. In 1954, he secured a government scholarship to study Fine Arts under N.S. Bendre at MS University in Baroda. Initially excelling in landscapes, Bendre encouraged Santosh to diversify into portraiture, broadening his artistic repertoire.
Upon returning to Kashmir, Santosh blended Cubist ideas with his landscapes. However, his spiritual quest led him to Tantric texts, inspiring a profound transformation in his art. Santosh's paintings began embodying yogic anatomy, infused with imagery representing unity – Purusha and Prakriti, Shiva and Shakti.
Apart from his artistic endeavors, Santosh was an accomplished poet, receiving the Sahitya Academy Award for his book of poems, "Besukh Rug," in 1979. His approach to art was deeply philosophical, aiming to engage not just the sense of sight but also hearing. He viewed each painting as a vibration, a unique fusion of visual and auditory elements.
Notable works - G. R. Santosh's remarkable Tantra Series showcases diverse mediums, including watercolor and gouache. "Aspiration" (1957), a 22.5 x 15.75-inch watercolor, and "Enlightenment," a 34 x 41-inch oil and wax on canvas, exemplify his mastery. The acrylic piece "Portrait of Devi" (29.25 x 23.5 in) and the oil painting "Pyramid" (42 x 28 in) further illuminate his artistic brilliance. Santosh's legacy, marked by a harmonious blend of spirituality and artistic expression, continues to resonate in the world of Indian art.
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